Isekai For Dummies

If you watch anime or manga, you will likely hear the term "isekai" (Japanese for "another world"), or hear of at least one series that involves a protagonist being sent to or reborn into another world. If not, this post will provide a beginner's guide to the genre, as well as its potential and pitfalls.

As mentioned above, the story involves someone, generally hailing from the time and place the author wrote the story, being transported to another world, generally by two means. One is being reincarnated in that world, and eventually regaining one's memories of their past life. Another is being transported to the other world somehow, often by magic.

There are countless variants of isekai stories, but many of them have a few common elements. Stories in which the protagonist is sent to another world tend to involve the protagonist bumbling about and showing their ignorance of the world at first, providing a prime opportunity for a native to give exposition on that world to the equally ignorant reader. Once the protagonist gets their bearings, they will have to decide whether they want to go home, and if so, determine whether it is even possible to do so. Stories featuring a reincarnated protagonist may not necessarily have the return of the protagonist's memories from their previous life affect their goal, although their are exceptions (in My Next Life As A Villainess, the previously spoiled Catarina realizes that if her life proceeds like it did in the game, she will be killed or exiled, and so tries to avoid that fate). In all cases, the protagonists have a significant advantage over the natives due to knowledge that they have from their home world, which is generally far more technologically advanced than the story's setting.

So what makes a good isekai? For starters, it has to have a well-developed setting with strong worldbuilding, lest it come off as yet another cliched story about someone trapped in a fantasy world, but it also needs to have a compelling reason for a protagonist from another world. One effective story element, one that not many isekai stories use, is having the protagonist's values conflict with those of the world in which the story takes place. Final Fantasy X is an excellent example; when the futuristic city of Zanarkand is attacked by a giant monster known as Sin, Tidus is seeminglyt transported a thousand years into the future, when Zanarkand is in ruins, and the final destination of summoners seeking to defeat Sin. Tidus struggles to adapt to the world of Spira, but even after he matures, his values as an outsider, from not buying into the prejudice against the Al Bhed tribe to refusing to believe that sacrifice is necessary to defeat Sin, help change the world.

Unfortunately, there are many ways for isekai stories to go wrong, which is part of the reason why they are often maligned by anime and manga fans. Some stories, often the ones set in fantasy worlds, feature rather generic and cliched settings, with the addition of a modern protagonist being the only novel feature (and considering how many isekai works there are, that ultimately does not work in the story's favor). As for the protagonists, they are often bland an uninteresting, with their only unique feature being their being from another world (which, again, is overplayed). Worse, the protagonists can sometimes be overpowered, especially if they receive a "cheat" item to help assist them, and even if they do not have innate abilities that many native residents of the story's setting possess.

In short, while the isekai genre is often denounced as formulaic and uninspired, there is a great deal of untapped potential in it for anyone creative enough to try it. For further reading, please see the TV Tropes pages for Trapped In Another World and Reincarnated In Another World, along with the other isekai tropes associated with them.

Comments

Popular posts from this blog

Fire Emblem Engage: Fell Xenologue Review Part 3

Game of Thrones Season 8 Review Part 8: Conclusion

Shinrai's Kotoba: When the Worst Character is Still Necessary to the Narrative